Hunkabutta Archives
05.28.02

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Two weekends ago we went to a newly opened okonomiyaki restaurant in our neighborhood with Karen's friend Takada-san and her friend Tajima-san.

Okonomiyaki is kind of like a savoury omelette with mixed vegetables and seafood. You can often buy it from street vendors near the major stations or at festivals, but if you want the really good stuff you have to go to a restaurant and make it yourself on the table-griddle.

There are many different kinds of restaurants here where the diners cook the food themselves at the table (e.g., shabushabu, yakiniku). In fact, one of my ongoing jokes to my Japanese friends is 'Why is Japanese restaurant food so expensive when it's either served to you raw our else you have to cook it yourself?'

It was a nice treat for us to be taken to this restaurant because we probably wouldn't have gone on our own. We wouldn't have been able to read the menu, and even if we could, we wouldn't know how to make the food at the table anyway.

I asked Karen afterwards if she thought that this kind of cook-it-at-the-table-yourself restaurant would do well back in Canada. She said "No, because you know that some goof would end up getting drunk and putting his hand on the griddle, and then would probably end up suing you."

True enough, I guess.

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On Sunday I told you about how Jack and I went to the local high school's sports day event and were fascinated (at least I was fascinated, Jack looked bored) by the boys 'gymnastics.' This seemed to generate a lot of interest, so I thought I'd show you a few pictures.

This picture shows how Japanese kids learn about corporate structure.

As I said, all of the teams performed the same routine at the same time.

These last four pictures were taken over the shoulders of the judging panel. Remember how I said that each step in the formation of these 'gymnastic human constructions' was synchronized between teams using a whistle? Well, imagine these pictures being taken after the whistle blast -- blow once, blow twice! Next formation: blow once, blow twice!
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05.26.02

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This afternoon at our local junior high shool there was a 'sports day' event. Jack and I went to check it out and to take some pictures because Karen was out at some local flea markets.

We only caught the tail end of the event, the last two segments: boys cheerleader-like group gymnastics and girls relay racing. The gymnastics was definitely the most interesting spectacle.

What they did was closer to cheerleading than gymnastics actually. Each team consisted of about ten boys around 13 years of age. They all wore blue shorts and white T-shirts, but each team had its own coloured head bands (red, blue, yellow, etc.). Their demonstration lasted for about twenty minutes and consisted of them performing a series of group maneuvers most of which involved some sort of human pyramid type thing. They were actually quite impressive, getting three of four people high, or doing strange balancing tricks and then collapsing into gracefully controlled piles.

It was a competition. There was a long row of judges made up of various high school teachers and dignitaries. The interesting thing about it all is how it contrasted with US-style academic competition, particularly cheerleading competitions. Essentially, it emphasized group cooperation and indirect competition rather than personal competition and individual aggrandizement like similar events in the West do.

You all know how American (really I should say 'Western') group competitions go. Each team tries to come up with the most difficult and impressive routine that it can, and then one by one, each after the other, they perform their routine in front of a panel of judges. This is all, of course, highly competitive and highly individualistic. That's the point really.

In contrast, these Japanese teams all performed the exact same routine. It had obviously been given to them a long time in advance, and a big part of the scoring (I believe) had to do with how precisely they could perform the routine. Not only did they have the same routine, all of the teams performed it simultaneously. They were all spread about the school yard and they had to perform the routine in sync. There were musical cues (like whistles and drum beats) for every move.

So, for example, each team would begin a particular segment by standing shoulder to shoulder in a line. A whistle would blow and the boys on either end of the line would all turn inwards and kneel down. The whistle would blow again and the boys second from the end would take two steps up unto the shoulders of the kneeling boys, and on and on like this through a variety of human-body constructions.

It was a celebration of cooperation and synchronization. It was a competition, but no one competed individually -- everybody competed with each other all at the same time.

It's fairly well known that the typical stereotype of Japanese people is that they're group thinkers and unconfrontational (read uncompetitive) and, like most stereotypes, there is some truth to this. What I found interesting in all of this, however, was the way in which this sports day event served to illustrate how educational programs both shape the national character and are in turn shaped by that character.

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05.23.02

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Have you seen the cutest laptop ever? (via memepool).

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Last Sunday, May 19th, I told you that my friend Makis and I were considering starting a business here in Japan. I asked you for some suggestions. I wanted to know what you thought would be a good thing to import from the West (both real products/services and business ideas in general).

I got a lot of interesting suggestions, from French-Canadian poutine (french fries, cheese curds, and gravy) to 'bowling culture.'

I loved hearing your suggestions so much that I'd like to keep this discussion open for a bit longer.

So, tell me, what do you think would be a great product or service to bring to Japan?

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05.21.02

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The other day I came across the work of a great news photographer from the 1930s: Arthur Fellig, also known as Weegee.

I try to approach my own photography from a documentary point of view. I suppose that shows my anthropological and archaeological background.

I often get a little thrill while looking at old photographs of mundane people performing everyday actions because they seem, as a result of age, to be imbued with a special significance. I suppose they seem significant because they represent something that was lost, be it a fleeting moment in time or the frame of mind of a person living in a different era.

I look at people in old photographs and find myself asking the same questions that I've often heard people ask themselves while watching a baby play: What's going through their mind right now? What does the world seem like to them?

I suppose the heart of the issue is that photographs are little stolen moments in time and by their very nature they serve to remind us of our own mortality.
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